I'm in the process of exploring the limits of minimalism. How much color, shapes or lines does a picture need to still create its effect. In this series I leave the canvas visible and let it contribute, in addition to the slim wood frame, to the natural appearance of the painting.

The paintings should have a calm, serene aura, fit harmoniously into the context and invite the eye to a visual rest. Only at second glance, perhaps through fine details in structure, color or shape language more sophistication and something mysterious is suggested.